Heavy metal machines wiki professional#
Critical reception Professional ratings Review scores He repeated the latter claim in a 2007 interview. In an interview with rock journalist Lester Bangs, Reed stated that he "had also been listening to Xenakis a lot." He also claimed that he had intentionally placed sonic allusions to classical works such as Beethoven's Eroica and Pastoral Symphonies in the distortion, and that he had attempted to have the album released on RCA's Red Seal classical label.
Heavy metal machines wiki series#
Recent releases of works by Cale and Conrad from the mid-sixties, such as Cale's Inside the Dream Syndicate series ( The Dream Syndicate being the alternative name given by Cale and Conrad to their collective work with Young) testify to the influence this mid-sixties experimental work had on Reed years later. The Theatre of Eternal Music's discordant sustained notes and loud amplification influenced Cale's subsequent contribution to the Velvet Underground in his use of both discordance and feedback.
(MacLise left before the group began recording.) Both Cale and MacLise were also members of the Velvet Underground. Ī major influence on Reed's recording, for which he tuned all the guitar strings to the same note, was the mid-1960s drone music work of La Monte Young's Theatre of Eternal Music, whose members included John Cale, Tony Conrad, Angus MacLise and Marian Zazeela. In 2011, Reed re-released a remaster of Metal Machine Music. In 2008, Reed, Ulrich Krieger, and Sarth Calhoun collaborated to tour playing free improvisation inspired by the album as Metal Machine Trio. The album cost Reed's reputation in the music industry while simultaneously opening the door for some of his later, more experimental material and has generally been panned by critics since its release. Also in 1975, RCA released a Quadrophonic version of the Metal Machine Music recording that was produced by playing it back both forward and backward, and by flipping the tape over. A radical departure from the rest of his catalog, the Metal Machine Music album features no songs or recognizably structured compositions, eschewing melody and rhythm for modulated feedback and noise music guitar effects, mixed at varying speeds by Reed. It was released as a double album in July 1975 by RCA Records, but taken off the market three weeks later. It was recorded on a three-speed Uher machine and was mastered/engineered by Bob Ludwig. Metal Machine Music (subtitled *The Amine β Ring) is the fifth studio album by American rock musician Lou Reed.
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